The Toymaker’s Opera: Chapter 14 – His Work

Jacques walks the road that no man should, searching for the one thing that will bring him peace of mind.

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The Toymaker’s Opera is an alternative-world steampunk  adventure. It is a story about a poor fortuneteller, a living automaton,  a mad Baron, and a city that dreams. It is a story about the price of  friendship and happiness, about legacy and talent, blood and luck. But most of all, it is a story about the things that have no price.

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His Work

Jacques

With a subtle flip of his hand the gypsy made the blue stone disappear. He turned away from Jacques, ready to deposit the crying piece of crystal back among the tumble of packages behind him. “Is not for you, I think,” Captain Coleed said slowly. “Is perhaps for someone else.”

“Wait.” Jacques stood in the middle of the Solsday crowd, pressing into the stall in front of him as though he could avoid the crush of people on every side. He did not often venture out in the middle of the day, but when the gypsies unloaded at Skyman’s Wharf one did not hesitate to do business with them.

The long line of the wharf was alive with hundreds of ships that looked no different from those that sailed over the sea. White sails gleamed creamy white, like a bundled chorus of fluffy clouds. Ropes harped and sang in the wind off Stolenseam. Brilliant tiles winked in the hot sun, here at the edge of the cliff, their different designs on the hull of each ship better than a fingerprint. The tiles matched each flag that snapped at the top of the mainmasts. And not a person seemed to mind that only a few yards away lurked the edge of the quay, and a long, long fall to the valley below.

Ordinarily gypsies made their rounds to all of the major trading ports that bordered this part of the sea. Their annual journey, run like clockwork by several sets of family flotillas who left and returned at certain times during each season, spanned no fewer than three continents, fourteen distinct countries, and thousands of island archipelagos from the frozen fjords of Northern Toulene to the sun-baked city of Citta Roza. They traded with anyone and everyone, whether rights were granted to them or not; sailing through wars and political boundaries as if they were not there.

No one, no matter how prejudiced for their vagabonding and privateering past, could afford to ignore the flotilla.

Coleed–dark, handsome Coleed–wore clothes that would be the envy of any pirate. Wide, striped trousers, a wind-worn shirt, and a sharp red vest set him worlds apart from the saris, blouses, robes, bustle skirts, and waistcoats worn by the citizens of the Sheer. A bright smile, almost too white, split his brown face in two. Strands of black hair peppered heftily with silver, carelessly kept, blew into his mirthful expression with every gusting breeze.

“Jacky,” he said, using Jacques’ least favorite nickname, “Jacky, maybe you want something else, ya? Maybe one of these, I think–” From the pile of treasures behind him he pulled bolt after bolt of fine Rimsean silk, bottles of plumage from distant and colorful birds, and a whole string of Sulisine conception pearls.

There was nothing the gypsies did not carry, nothing too grand or too humble. In all his years visiting Skyman’s Wharf Jacques had seen Tamerlan golems–too crude for his taste by far–round helms from some ancient war burnished to a shine, exotic pets with two tails instead of one, and once even a child for sale–though the bid was purposefully exorbitant. Rags and the twisted ends of ship rope were often pressed at his hands by the urchin children of the ships, perhaps practice for their pushy personalities later in life.

The grandest thing Jacques had ever purchased from Coleed was an Imperial lightning engine–something invaluable to the right collector. He had taken it to task for parts; striping down the copper and strange, whirling mechanisms from the central chamber. Those pieces had ended up–directly and indirectly–inside the lampposts of a few firecats. It had been a risky move, since even he did not fully understand their physiology, but one that had paid off–with kittens.

Jacques, normally excited to peruse the wealth of foreign goods, could think of nothing but the stone. It stuck in his mind like an afterimage. He heard what he could only describe as a kind of weeping, but not sadness. Almost as though the stone wanted nothing more than to be seen.

“Please,” he said, and held out his hand. “I shan’t drop it.” And, when Coleed seemed doubtful, “I only want a closer look.”

Coleed frowned. He brought the stone around again, a big, jagged thing more akin to a chunk of raw amethyst than the basalt rock that was the bedrock of the Sheer. Perhaps he could hear it too, for he hesitated a moment too long before saying, “Take care, Jacky.” and dropping it quickly into his palm.

The world went blue.

Jacques awoke with a start. He looked up to see the concerned faces of his so-called apprentices peering at him and the comfortable four walls of his own apartment. “Hm-mm, my apologies. My work has been getting the better of me most nights; rest hasn’t come easy.” With extreme reluctance he rose out of the chair, wincing at the stiffness of his joints. He made his way over to the stove. “Tea?”

Next to him Thomasine nodded. Her cascade of crimping blonde hair kept falling into her eyes. “You weren’t asleep long.”

Tadeo, his dark Ombolan skin picking up the shine of the cold winter sun, only just suppressed a good-natured chuckle. He ducked his head when Jacques frowned at him. “Ah, as I was saying–”

“Yes, yes.” Jacques waved his hand distractedly as he filled the kettle. “This book you’re making. What did you call it, Creatures in Clockwork?”

Savoy unwrapped the oilskin seal on the papers carefully, the movement of her long fingers purposeful and without waste. “Something like that, Master Augusti. We wanted to compile all our knowledge together, including diagrams and instructions on how to fix the different automatons in the city.”

“Whatever for?” Jacques blinked at them. “If you can know it and tell it to your companions, what is the point of writing it all down?”

Never, from the start of his own odd apprenticeship, had he recorded a single detail. It all fit together in his head, the way the wind and the sea and the tide did for a ship’s captain. Making and repairing the various types of clockwork men and women had always seemed like second nature. He remembered the size of bolts, the exact thickness of copper needed for a rooftop dancer; knew the lifetime of gears by the sound they made. Jacques possessed a nearly complete mental map of all the automatons in the Sheer, though he had not named or numbered them, or kept a diary of their last repair dates.

He did not miss, either, the glance that passed around the room at his words.

“You don’t approve,” Tadeo said, flat.

Jacques shrugged. He was a master at his craft and knew it better than anyone. “A book such as that would be useless to me.” He even remembered all the parts used for Alonzo. Everything he needed for the Baron’s commission was safely tucked away in the same room in his mind, ready for whenever he should need it.

Thomasine took the pages from Savoy and smoothed them. “Not everyone has such talent,” she said gently, “and in the end we hope to publish our work, so that others might follow in our–and your–footsteps, and that the city might be kept in good repair for many generations to come.”

“As it is the lifts are falling apart, they barely work.” Savoy leaned against the display counter and crossed her arms. “If they aren’t fixed soon they’ll kill somebody.”

Jacques made to interject but Tadeo beat him to it. “That’s why we’ve come to you, Sar Augusti. We’d like your help.”

“Out of the question,” Jacques scoffed. “I’m much too busy.”

Thomasine held out the papers to him. “If you could just spare a few days. Walk around the city with us: tell us the last time you repaired which contraption, any special tools that might be needed, the best way to avoid personal injury, or internal diagrams–”

Jacques brought his fist down on the nearest bench, making his tools jump. “I don’t have time to teach you such nonsense!” he barked, unconscious for once of what Alonzo might think. “When machines fail they are repaired, it is that simple. Learn it yourself, as I did–as any apprentice does. If it does not find your meddling as tiresome as I do the city will be your greatest instructor. And another thing,” he continued, “I do not appreciate this constant begging for answers and being awakened at all hours of the night for accidents you can easily manage without my help. I am a toymaker, not the solution to every single wrench the city decides to throw at you. Grow a spine, for goodness’ sake, and leave me alone.”

Wooden silence descended on the shop. Thomasine slowly retracted her arms, bringing the papers in close to her chest.

“Is that how you really feel?” Tadeo snapped, “We are barely to be tolerated?”

Savoy’s pale face grew even paler in shock. “But it’s your work that we do,” she managed.

“I’ve had enough. Out! I have commissions to attend to, important clients to work for.” Jacques’ heart hammered in his chest. He was not a cruel man–conceited and proud, perhaps, but not cruel–and even though he found their company tiresome he did not want to discourage their work.

Despite this he felt the tension of anticipation singing in his bones. The dream had reminded him that though he had already ordered the ivory and gold for the Baron’s automaton, he had yet to find a replica of Alonzo’s stone, and he did not wish to fail.

Thomasine tried once more, as her companions made their way hastily towards the door. “Just one afternoon, then,” she begged. “Just one, with only me. At least let me accompany you to the lifts and firecats and the…the lampkillers. Please.”

“Out of the question.” Jacques shooed her out behind the others. “You’ll learn it on your own in time. No, goodbye Thomasine.”

He shut the door in her face, but gently.

Once free of them Jacques leaned against the wooden surface. It had been the correct decision, he knew that. He refused the twinge of guilt that threatened to make him rush out into the close and call them back.

“A book, hm?” he said to himself as he crossed the shop and set out the fixtures he was going to need for Alonzo’s next stage of construction. “Silly, really. You’d only get use out of the thing if people in this city would bother learning to read.”

It was Sabbatsday, the one day out of the week that Jacques closed his shop and could dedicate himself to his own tasks. He’d already wasted enough time on Thomasine’s group and he set to work on Alonzo’s feet with a will.

Each piece must fit together perfectly. The toes should be able to stretch and curl; sturdy yet beautiful. One by one the joints and bits of carved ivory met to form a greater whole.

Jacques absorbed himself in their making, constantly leaning over to steady the foot on the floor, to be certain that all the necessary points were making contact. He fretted over the ankle, turning it this way and that, trying to recall exactly how the dancers’ had been made. That repair, he recalled, had been much harder. Learning the hard way that their fingertips and soles must be coated in isoprene; chasing after those ever-moving automatons as lighting forked across the sky, filling the air with the smell of ozone.

A resounding crash wrenched Jacques from his memories. He whipped around, finally focusing on Alonzo.

The boy, his arms newly attached, held his hands up to his face in a silent gasp. His blue thoughts whizzed out a second later, shame and sorrow evident among them. On the floor lay the shards of an enamel paint pot.

Jacques sighed. “Tried to grasp something you couldn’t hold onto, I take it.” He rose and cleaned up the pieces, throwing them into the wastebin. The paint itself was a bit easier to mop up, since he had plenty of rags sitting around for just that purpose.

“It’s fine, I promise,” he added, after Alonzo would not stop apologizing. “Mistakes happen. Everything can be fixed, see?” He tapped the side of one cracked pot on the shelf beside them. “There, all clean.”

Alonzo reached out, his movements clumsy, and knocked his fingers into Jacques’ chest. Those blue eyes met his with a depth Jacques had not seen before. Alonzo’s hands moved upward, walking up Jacques’ shoulders until Alonzo was cupping his maker’s face. For a long moment he held Jacques there in silence, his place on the edge of the bench almost making them of equal height.

Jacques stared into that white face; his glance darting between the soft kidskin covering that made Alonzo look almost human and the bald ivory skull behind it. Unless one looked very closely, close enough to see that his eyebrows and lashes were tiny auburn feathers sewn on with fine silken thread, close enough to see the glitter of metal beyond his pearly teeth and living tongue, he could pass on the street for just another eccentric young nobleman. It was Jacques’ finest work, work he was not sure he could hope to duplicate.

It–no, he–for Jacques saw at last that whatever Alonzo might have been, he was now a man. A man with thoughts and feelings of his own. Not a toy and not a child; more than an automaton–a person. Albeit one made of ivory and gold.

“I suppose,” Jacques managed, suddenly truly aware that what looked out at him was a consciousness, and not just a cluster of reactionary questions. “I suppose it’s time to get you a book.”

Alonzo clapped in delight, the ivory palms of his hands clicking against each other. A wide, bright smile spread across his face.

Jacques hauled the whole bookshelf over, dragging it across the stone floor. “I’m afraid none of it is very easy reading–no, like this,” he said, turning the book rightside up in Alonzo’s hands. “Gently–gently, I said. There you go. You know your letters well-enough, read to your heart’s content.”

He returned to his workbench. Though his hands knew what they were doing Jacques found himself unable sink back into the mental quiet he needed. Perhaps it was the soft rasping of pages being turned. Perhaps it was the distorted echo of the music in the pipes, coming up to him shrill and warped out of tune. Whatever the cause he could not concentrate any longer.

“I’m going out,” Jacques said, thinking to himself that it was the first time he felt the need to announce his intentions. He shrugged into his jacket and pulled the curtain closed on Alonzo and the bookshelf. “Don’t worry, I’ll be sure to pick up a gentleman’s manual on etiquette for you.”

That was not the only reason, of course. Once outside the apartment he could feel it descend on him, the singing tension of worry. “Perhaps I will find another stone,” he murmured as he locked the shop behind him. “I shall simply have to be thorough.”

Up to the jeweler’s in the close. Jacques climbed the passage, leaning in to the incline. He started methodically, going swiftly past the violinmaker’s and the lacemaker’s, waving to the owners as he did so. Up and up until he could let himself inside the velvet silence of the shop.

“Master Augusti!” exclaimed M. Armand, a clerkish but pleasant fellow, “I did not expect you today.”

Jacques suppressed a frown. People always had the idea that they should be going out of their way to please him, whether or not he wanted it. “I’m merely browsing–no, M. Armand, please, sit down. Your health, monsieur,” he protested as the older man came wheezing around the counter.

“I don’t mind one bit,” replied the Toulene gentleman, his lingering wisps of cornsilk hair and thick glasses making his eager face appear quite like an owl’s.

Despite Jacques’ subtle protests the other man followed him around the shop as he glanced casually into the many cases of rings, necklaces, and bracelets. One sweeping look was all it took at each shelf to determine that there were no leystones present.

He let himself out, waving and smiling. Jacques hurried back down the close, concerned that he had wasted too much time already.

No leystones presented themselves at the other shops in Wrightsward, even when he asked to see their backstock. Jacques did his best to conceal his dread with a hearty show of disappointment instead, even though he knew it was unfair to take his frustration out on his colleagues.

The same was true in Medtown, in Patchwork, in Philandry, and in the many drawers owned by Jia Sung. Finally Jacques left the neighborhood entirely, climbing up on the back of the Iron Stair.

It was a rickety, iron thing, held half together by the calcification of the stone on either side and half by the pipes that ran underneath. Some sections were missing entirely and Jacques had to jump over dim, yawning gaps. He would have taken the lifts but he did not want to risk missing a single out-of-the-way shop, even here.

Rats and rat king circles, firecats and their kittens, and even one limping figure–always in shadow–followed him up, up through the Sheer.

“Away with you, William,” Jacques called over his shoulder. His voice bounced off the long drop below. A breath of cold winter air bit his cheeks one moment and a scalding jet of steam-seared air warmed them the next. Jacques shivered, even under the heavy wool of his coat.

“I’ll not visit the Reach today.” He pressed on, murmuring, “Not if I can help it.”

Days passed–or seemed to–as Jacques scoured the Sheer. He walked until he couldn’t anymore, his old feet finally growing weary and his knees protesting even one more set of stairs. When sleep threatened to overtake him he stumbled into the dazzling marble and chiffon foyers of nice hotels, sometimes finding dreamless oblivion in their beds, other times nothing but the nightmare of nutcrackers shadowing his footsteps, waiting for the exact moment he should fail.

No matter what sales each shop had, no matter how their managers pressed velvet tray after velvet tray of precious stones in his hands, Jacques insisted on going through the cases one by one. The hot light of the lamps danced on every cut and polished surface, leaving his head with a deep-seeded pain that refused to relent.

He danced in and out of pleasantries–and, once he was above the Teeth, carriages–sipping weak tea and burnt coffee. Thrice he doubled back on someone’s advice, only to eventually find himself in an alley with the rubbish heap of a diver before him, long ago disassembled by his own hand.

Through each tower Jacques searched, the dark districts that changed names in ten paces, going up and down the winding paths until he was more than just footsore. Thief children ran about him, booing softly when there was nothing to find.

Once Jacques thought he heard Alonzo calling him, but his blue voice mixed with the music in the pipes until the toymaker could not tell one from the other.

His search brought him to the Shade, but the merchants there would not serve him, for he had forgotten his business mask. The Warren brought him no relief either and they turned him away, pushing his tired frame to the border and slamming the door with no more than two words spoken.

That left Jacques with no option but two, and he knew which one he preferred. Perhaps Captain Coleed would know where he could obtain another leystone–or maybe even had one for sale–but Jacques was not now sure if he could afford the price. One stone, innocently bought, had led him to Alonzo, to having his heart carved in two. What another one would cost from the hands of a gypsy he did not care to contemplate.

For without that stone the Baron’s commission would be impossible to bring to life. The Lady Trimaris would be like a dead thing, unable to hold or possess anything resembling Alonzo’s intelligence.

Jacques stopped, his boots just shy of the brick road that marked the boundary into the Sundered Carnival. The path ahead of him was dark, unlit by lamps or firecats. No light filtered here, natural or otherwise. No, he was far too deep for that.

Something soft and squeaking bumped into his foot, and then bounced away. He heard skittering in the darkness. “H-Hello?” It did not do to enter the Carnival uninvited.

At length, after listening to the endless drip-drip of water and the distorted rattling breath of the lifts in the distance, he checked his pocketwatch. Only the hour hand could be seen and no ticking came from it. Jacques cursed himself for forgetting to wind the damned thing, very aware that he was alone on a street that was supposed to be full of people.

Suddenly a chill touched his back and the hairs on the back of his neck stood straight up. He whirled around just in time to fend off a wolfish-looking man, who stood just close enough and had somehow approached him while making no noise.

“I beg your pardon!” Jacques tried to say, but the words fell flat and would not come out. Somehow he mastered his fear, despite the eerie, phosphorous glow of the man’s yellow eyes. He slipped his watch back into his pocket, recalling the phrase his master had taught him to say.

The toymaker bowed as low as his stiff body would allow. “I seek permission to enter the place known as the Sundered Carnival and to exit again, safe and whole, exactly as I entered.”

When the yellow-eyed man spoke his voice was as hollow as an empty road, and as jagged as flint. “Seek not the crown of the Thorn King, for he is weary and full of troubles.”

“My regards to the Lord of Briars,” whispered Jacques, “long may he reign.”

The yellow-eyed man paced around him, his steps slow, calculating. “Leave off your looking for the Queen of Stones, her lands are barren, her hands empty.”

“In winter they know that summer will come again; flowers will bloom, life will out.”

“Who seeks water in a wasteland, who asks alms from those that have nothing.” He thrust his face close to Jacques’ and growled. “Who dares to walk the roads alone and expect protection?”

Jacques clenched his fists. It was a trick, a trick to get him to name himself. But he was old enough to know better. He took a deep breath, pulling on fortitude that he was not sure he had. When he spoke next he was surprised to find his voice even and unbroken by fear.

“Those without water may still offer hospitality, those with nothing may still be kind.” He met the yellow-eyed man’s gaze, inches away. “The one who walks alone offers no challenge, and is left in solitude.”

For a long moment it seemed as though the yellow-eyed man was not going to let him pass. Then he grinned, white teeth on a swarthy face, and struck a match that hissed and spat.

The light pierced Jacques’ eyes, blinding him after so much darkness. It burned white hot, like a ship’s distress flare. When he could finally see again the yellow-eyed man was gone, but there was a strange hum in his ears.

Jacques pressed himself against the wall of the tower, as far out of the way as he could manage. Faded shapes passed, paying him absolutely no notice.

The humming increased, pressing against his head in a way that had nothing to do with the Phage. It was a pressure, almost as though he was deep underwater. Jacques clutched at his head, pulling at his ears even though he knew it would do no good. Everything suddenly seemed out of focus, the world spinning and spinning until it popped.

Jacques felt the change, felt his heart give a jump as the Carnival came into view. The pressure in his head and ears disappeared, leaving his senses tingling.

A thick crowd filled the once-empty street. The faded figures had become living people, people of no shape found elsewhere in the Sheer.

Jacques set his eyes on the ground. He left the wall, moving cautiously but purposefully.

In a melting-pot city where every race and every person could find their cultural niche, there was still no place exactly like the Carnival. Creatures passed Jacques, some of them more suited to a woodland forest than a bustling metropolis. Hedgehogs and rabbits, both in waistcoats, ran about underfoot, delivering messages. Deer walked the length of the street, pulling rickshaws without handlers. It was not the animals Jacques tried to avoid however, but the others, creatures of song and story. Creatures that the rest of the world tried to pretend did not exist.

Steam hissed out into the street from the confines of a market stall to his left. From within Jacques could see the enormous, craggy silhouette of a troll, serving skewers of roasted meat to its customers.

Elves glided by, their eyes bright and their features painfully beautiful. They spared no glance for anything in their path but continued on, ignorant of the yearning looks cast their way.

There were others; ugly goblins trudging by with racks of junk strapped to their backs, maenads lying drunk under kegs of mead, dryads weeping in dark corners, sprites spending all their strength just to pickpocket one penny from the unsuspecting. Men with hollow eyes stumbled past, muttering nonsense about rivers and bridges, and bright lights. Lamplight children played in the corners, their fiery ghosts peeking out from behind barrels and doorways. Even tiny daemons scampered about, snickering as they unbuckled shoes or made off with paper lanterns.

Music filled the Carnival, music that was as haunting as it was alluring. Panpipes twittered in their high voices, weaving a melody that was as hard to ignore as the heated expressions on the satyrs that played them. Once or twice Jacques found himself going in the completely wrong direction, his footsteps tracing toward the sound of far-off laughter.

He doubled back, threading his way through a thick crowd. Even though he felt hands brush him he did not stop, did not speak to anyone. By the time he’d found the doorway he wanted a few persistent citizens were pressing him with honey cakes and glasses of elderberry wine.

Jacques was desperately hungry. His stomach snarled but he forced his hands to stay in his pockets. The door ahead opened a fraction. Jacques shouldered his way inside and shut it behind him.

He looked up to find himself in a narrow passage within the tower. The air was cooler here, similar to his own apartment. He saw no one in the hallway, only a set of steps at the end, going down.

One candle sat on a sconce by the stairs, its light flickering off the stone walls. Before Jacques had quite gotten farther than the first step the flame spoke. “Who goes there?” It was a woman’s voice.

Jacques’ head snapped to the side. From within the glow cast by the candle he could just make out the wavering form of a dark-haired girl. “I seek the Mage’s Circle.”

“Who are you?” she asked, then added, “I suppose a better question would be what do you want?”

“I have questions about implements of power, foci, if you will, and where I might obtain one. I have tried everywhere,” he lied, since he had not yet tried the Junkyard. “And no one else knows what I’m talking about. I would appreciate any information you have.”

He could see the woman looking from side to side, trying to ascertain whether he had nutcrackers with him. Finally she said, “I don’t see any harm in it.” A door appeared in the wall to his right. “Don’t take the stairs, they’ll drop you all the way into the Shade. It’s a long way down.”

Jacques nodded. These were Citadel mages, men and women who had every right to be cautious. Rumor had it that not only did the first Baron forbid their settling in the Sheer, but that his soldiers frequently conducted raids to make sure it stayed that way. Any precautions, even those that went as far as to live in the Carnival itself, could not be called too extreme.

Once inside the darkness was nearly absolute. He made his way forward, feeling his way along the wall. From a long way off Jacques saw mage lights bobbing towards him, swirling motes of brilliant green, casting cool shadows.

The same woman who had appeared in the flame now materialized out of the blackness ahead. “Who are you?” she asked, one hand at the ready. “Though bound by the Charter to do no harm to others I will have you know that I am still allowed to protect myself–and will not hesitate to do so.”

“I wish no ill will upon you.” Jacques bowed a little at the waist. “I am the toymaker, Sar Jacques Augusti. I have questions–”

She waved his words away. “You said as much. I am Susan, mage appraisee of the Citadel, seven years’ past graduation. Tonight it was my charge to guard the gate. Come, the others will know more of what you want.” Susan whirled on her heel and marched off down the corridor.

Jacques hurried to keep up. “How long has the Circle been here?” he asked, passing scratched sigils in the stone, shimmering wards illuminated by the glow of her mage lights.

“Longer than I’ve lived in the Sheer, I know that much. As for when the first members of the Circle settled? That’s up for debate, even amongst ourselves.” Susan turned her head to better speak with him, since they could not comfortably walk abreast. “Most of our earliest records were destroyed in a raid back in, oh, 1853, before the war. Back when this was still Circle’s Repast, and not the Carnival as it is now.”

“I was not aware mages had held the district for so long,” Jacques said, hurrying to keep up. His joints ached from their previous toils about the city, and here in the deep places where the moisture stayed he felt even stiffer than usual.

Susan scoffed. At the next doorway she waved her hand. Instead of a lock and key several veridian runes appeared in the air. A sphere glowed pale blue on the wood and the runes slotted into it, until they made ribbons around it. The door swung open silently and they continued on.

“The Circle will stay in the city, no matter what the Barons or the nutcrackers say.” She did not sneer, but in the rimey light her face pulled into a grimace. “Even if few are born with mage talent, they are still born, and they must still be taught to utilize their skills. It’s not a proper school, of course, but even if we can make certain that no child becomes a danger to herself–that is enough.”

Jacques bowed his head as they passed through a low opening. He did not say that it was admirable or selfless, though he well knew the Circle’s work encompassed both of those things. It must be a thankless task, but it was the duty they had chosen; much as the city had chosen him, and he had never asked to be thanked.

At length they came to a common room, bypassing a small guard alcove with a crackling fire through which Susan must have scryed him. The common room was more like one of the mercenary taverns down in Mercy’s Hall, with long benches set to the side, roaring fireplaces in each archway to keep out the cold, and one raised platform at the end piled high with scrolls and alchemical contraptions.

Men and women in equal measure paced about the room, going from one set of tables to the next. Even a few adolescents numbered among them, concentrating on spells in small groups under the tutelage of an older member. The low murmur of private conversation ceased at once as soon as Jacques crossed the threshold.

Within a heartbeat all the younger students rose and filed out of the room through dark doorways beyond, walking with quick steps and glancing back over their shoulders. A few chaperones went with them, mostly those that had been teaching.

At the head of the room the mages working at the high table did not stop their work, though Jacques caught a few furtive looks cast his way.

“What have you brought us, Susan?” asked a tall, red-haired man younger than both of them. He wore a waistcoat of seagreen, and breeches stained with occasional patches of brown. Instead of challenging his tone was soft, almost conversational, and he spoke without lowering the book in front of him.

“An outsider, Sebastian.” Susan jerked her thumb in Jacques’ direction. “Says he has questions.”

The younger–no, older–man set his book aside with a sigh. When he stood, unfolding his lanky frame from the narrow bench, Jacques could see that the mage’s eyes were as old as his own, the only hint of age in that otherwise youthful face. “Run along, I’ll see to his needs.”

He stuck his hand out for Jacques to shake. “Sebastian Way, master healer of the Salvareum.”

Jacques introduced himself, wasting little time over pleasantries. He wondered why a healer would bother associating with Citadel mages, but decided not to question it when he had more pressing matters at hand. “I have come seeking a focus stone,” he said, adding, “a powerful one.”

The healer frowned, thin lines creasing his face. Despite his apparent youth there was one permanent divot between his eyebrows that only grew deeper as they spoke. “A mage’s focus takes a great deal of time and effort to create,” replied Sebastian. “One must work with it, concentrating and meditating and transferring power, weave spells. It is not really something that can be given away.”

“There is a particular type of stone I must obtain for a commission, nothing less will do. It need not be already attuned–I do not wish to steal someone’s work from them. If, perhaps, I could see what you might have available…?” Jacques tried to treat his request lightly, even though he was in the throes of desperate urgency. He wanted to come right to it, to grab the master healer by the arms and demand any leystones he might possess. But certain rules of decorum and etiquette must be followed, just as he had done at the shops in Copperlight and the Pride and Holsgrad and Medtown, and every other business his feet could find. Jacques knew he must dance the minuet of manners, even with the shadow of the Baron hanging over him like the silhouette of a guillotine.

Despite the constant temperature inside the tower Jacques felt a cold draft seize his shoulders, remnants of a door opened somewhere far away and very hastily shut. He plunged ahead further. “Please, sar, if it would not trouble you too much? I can pay any price you ask.”

“I’ve no doubt of that.” Sebastian crossed the hall, retrieved a case after several long minutes of rummaging through papers and scrolls, and returned with it. “This is what the Circle has to offer,” he said.

Jacques’ heart sank. From under the glass many gems glinted in the orange lamplight; amethyst, rose quartz, lapis, aventurine, chunks of raw serapin amber. Nothing with that tell-tale cerulean glow, nothing with power that he could feel seething under his fingertips. “Not quite, but I will take that serapin piece there,” he said, indicating the largest. That, at least, he could work with. He received the serapin gratefully, and pocketed it with a heavy sigh.

As Sebastian made to set down the case Jacques decided he could not wait any longer. “Do you, perhaps, have any leystones instead?”

Sebastian’s head snapped up but Jacques forged ahead, ignoring the dark look the healer threw at him. “It need not be too large in size–I understand they are difficult to come by in any event–but big enough to rest comfortably in the palm of one’s hand. The cut or shape doesn’t matter, but it must be raw and unpolished–”

“Get out.” Sebastian’s clear baritone echoed in the empty hall, his voice crisp and full of frost. “Not another word,” he warned, cutting off the protest Jacques had been going to make. “You have no conception of that which you request.”

Jacques scoffed, drawing himself up until his indignation was as tall as the other man’s considerable height. “How dare you?” He had faced rudeness before–what man hadn’t?–but in the face of an honest inquiry this was altogether too much. “If you don’t have what I seek then you have only to say–”

“Out!” Sebastian demanded, stepping close enough to force Jacques back toward the entrance.

Jacques tried once more, retreating. “I can pay whatever you want–anything!” He reached for his coin purse but the healer thrust him out into the corridor.

Protective wards already crackled and hissed, making ready to reseal the Circle. “Never would I be fool enough to keep a thing such as that under my own roof. I pray that your search ends in failure,” Sebastian spat. “For your own sake.” And with one snap of his fingers the door slammed home.

Immediately the spells jumped into place and before Jacques’ very eyes the wood rippled like water, and then disappeared entirely. He blinked once and found himself out on the border of the Carnival, his feet on stone and the brick just at his heels.

The coin purse he had been going to pull out dropped to the street, musean pieces scattering everywhere in a shower of gold. Jacques cursed, oaths flying out of his mouth that he had not dared utter in decades. “Goddess’ eyes and luck be damned!” His chest heaved and his cheeks burned hot with anger. “No conception? No conception!” The toymaker stomped around in a rage, thankful for once that he was completely alone.

Whether he wanted to or not no longer matter, for there was no other option left, he had to visit the Junkyard.

The Toymaker’s Opera: Chapter 12 – Enter Octavian, Stage Left

The Baron’s commission.

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The Toymaker’s Opera is an alternative-world steampunk  adventure. It is a story about a poor fortuneteller, a living automaton,  a mad Baron, and a city that dreams. It is a story about the price of  friendship and happiness, about legacy and talent, blood and luck. But most of all, it is a story about the things that have no price.

the-toymakers-opera-cover

Enter Octavian, Stage Left

Jacques

The city stirred, its beginnings like a pebble tumbling down the face of a mountain. A lone carriage set out from Sunsgate, the mechanical driver cracking his whip overhead with the precise rhythm of a metronome until the carriage all but flew down the broad streets and through the open squares, while pedestrians scattered to keep clear of the clockwork horses’ sparking hooves. Down the city’s higher reaches the carriage wove, the automaton footmen in their red velvet coats swaying as the carriage swerved through streets that narrowed with every switchback. When at last it seemed as though the carriage could go no farther without smashing a wheel against the front steps of a townhouse, it drew to a halt before the broad, white Cendrillon Stair leading down to the Lane of Lifts.

With stiff, precise steps, the footmen dismounted, unfolding the carriage steps and pulling wide the door. Two nutcrackers emerged from the satin darkness within, polished black boots clicking on the stone underfoot, their bodies swiveling at the waist to take in the bustling crowd. One of the pair reached a gloved hand, upturned, into the carriage; with a muffled, wooden clack the Baron d’Bardi waved the gesture away with a sweep of his lacquered black cane.

He emerged from the carriage like a prowling wolf, raking the crowd with his gaze, searching, it seemed, for someone or something in particular and, as always, finding the world wanting. Down the Cendrillon Stair he stalked, flanked by his attendant nutcrackers, while behind him the carriage rolled away with a grinding of gears and a clatter of iron hooves.

Those on the Lane already in their lifts swiftly paid their toll, eager to descend. Of those waiting in line every eye now turned to the approaching baron, and for one rare moment the Lifts stilled, awaiting passengers suddenly reluctant to embark until they knew for sure which lift the Baron intended to take–if only so that they, themselves, could avoid sharing it.

Octavian made for the middle, striding across the broad square. His coattails swung, the tip of his cane clicked against the cobbles. Without making a motion to pay he stepped inside the box, nutcrackers filing after. Several more soldiers, those whose job it was to guard the lifts against any kind of vandalism, abandoned their posts and joined him.

As soon as the last nutcracker was inside and just as the sliding door had latched into place the lift plunged down. It screamed in its tracks, setting of a shower off sparks along the rail.

Bitter wind and swirling snowflakes sailed past the Baron as the lift dropped like a stone. He did not grab for a handhold, but stood fast, legs wide apart. The last dying light of day could not reach the heart of the Sheer but each level was announced by the orange glow of lanterns, and so the passage down the city made bars of light and shadow on Octavian’s grim face.

The city made way for the Baron, pulling aside the delicate dreams of those who lived in the tower just beyond the lift. It sent firecats running ahead, fetching nutcrackers broken or not to attend him upon his exit. It called for gas lamps and amberic lights to shrink down as small as they could get, no more than yellow pinpricks in the darkness.

Waterwheels shuddered and stopped, their constant roaring suddenly ceased. A wild party in the Junkyard drew to a stumbling halt, its gypsy denizens hurrying to close all access doors to their stolen district. Airship sailors at Skyman’s Wharf threw off all mooring lines and hovered at the edge of the docks, just out of reach. Thieves slunk away from shadows suddenly grown too dark and deep, retreating to the red lights of the Warren’s twisting passageways. The nine furnaces of the Faid Faran guttered and spat, their embers burning low like narrowed eyes.

Even Sophia closed her windows against the night, against the echo of many marching feet.

Many dangers awaited a citizen of the Sheer over the course of their lifetime but there was one for which no person had ever prepared: silence.

Tucked away in his cozy shop Jacques woke with a start. He struggled against blankets that were not there for a moment before he remembered that he had fallen asleep in front of the woodstove.

Warm, ruddy firelight danced across the otherwise dark room. It threw strange shapes high on the wall, glinting on pots of paint and metal tools. The light only just illuminated Alonzo, who sat where he had been placed on the far bench in the corner of the room.

With little warning the incessant blue curiosity of the boy’s thoughts interrupted Jacques’ still-sleepy ones. Alonzo pressed him with questions–at least, Jacques believed them to be questions–one right after the other, his focus shifting from Jacques himself to other items in the shop to the other pieces of his body on the workbench and finally to the hissing gramophone.

Jacques sighed, rubbing the ache out of his eyes. He had no idea what time it was. Clearly he’d forgotten to wind the clock after coming back from his shopping. By the look of things outside it was high time for dinner–among other things.

“Half a minute, you impatient thing,” he said to Alonzo, a weary smile poking at the corner of his mouth. “I’ll put on another one.” Slowly he rose from his warm spot by the fire, wincing as aching joints recalled themselves.

“Time once again for the opera’s winter season to begin, to coax the starlets and socialites down from their high castles, to mix amongst the rabble of petty musicians and aspiring ballerinas.” Jacques’ deft hands replaced one scroll with another inside the gramophone. “Let me see, surely they would be performing The Raven King tonight, a fitting start. Then, like as not, there shall be all manner of independant performances, some new, some old. And when the sun is at last beginning to strengthen once more they’ll put on The Sleeping Spring, as certain as clockwork.”

A piping question, eager for more, piqued from Alonzo’s direction. The boy searched Jacques’ face with too-blue eyes, almost as if he could compel the older man to look at him.

Jacques chuckled. “And then? Why, and then the Il Susurrus opera house will settle down for a good cleaning and painting and, most important of all, practicing, before their summer season starts. If this were some globe in a backwater frontier town I don’t wonder that they should be able to turn over their props and costumes in two weeks’ time, but those artisans up the city need longer than that to prepare for their forthcoming shows. Yes, perhaps a costume could be reused, but what if the soprano were wider of hips or shorter of build? No, not everyone is shaped the same. Not even the nutcrackers, though it would certainly make it easier to repair them and no mistake.”

Before long water simmered merrily on the stovetop as the snowflakes danced ever more feverishly outside. Jacques lit the lamps and the cheery light made the big shop seem comfortable and intimate, worlds removed from the weather on the other side of the window pane. The deep hum of cello song wound through the room from the gramophone’s speaker, adding to the atmosphere.

From his place in the corner Alonzo was abuzz with excitement. He could just barely see the pieces of ivory that Jacques had placed on a workbench, pieces that would shortly become a part of him.

“Alonzo,” Jacques said, a warning tone in his rich voice. He sensed the boy draw back and sighed. “How am I to work in peace if you are peppering me moment by moment? Here, rest now. I shall show you my progress in the morning.”

The toymaker left his workspace and swiped the hanging curtain across the partition that separated Alonzo’s bench from the rest of the room. For several long minutes he stood there, trying to shut his mind to the sudden barrage of anxious thoughts.

“A young gentleman minds his bedtime,” Jacques said and was relieved when Alonzo complied.

He made his way back to the workbench, shaking his head. The boy would have to learn to mind. Jacques knew that he was no father at heart, but at the least there must be discipline. He resolved to finish work on Alonzo’s arms as quickly as possible, so that the boy might be taught to read–and therefore be distracted for a time.

Jacques loved this strange clockwork creature of his, this boy who would be made with the body of a man. Alonzo often mouthed the words to his favorite songs, his gold-painted lips moving up and down though he had had no lungs until last week. He wanted to know everything, and Jacques was almost hesitant to provide the boy with a slate, for fear that he would start writing out his questions and never stop.

“I cannot work fast enough to suit either of us, it seems,” the toymaker murmured, not unkindly. “For you would be finished right away, and I would have you be as well, if only it didn’t mean that then you would be a man grown…” He picked up his carving tools. “…and no longer in need of me.”

If Jacques had had his way he would have begun work on the automaton’s head first, fashioning the eyes and the smile–his favorite part of each doll. Instead he had been forced to work outward from the heart, and a heart in motion at that. Once set into the golden brackets that would read the magic coming off the stone like tines on a music box, the heart whirled inside its gyroscopic rings, giving sight to otherwise lifeless eyes and motion to a spine that had had to be hastily constructed.

Jacques never overlooked a detail. Alonzo’s construction–though rushed at times–was never anything less than his best.

With the handsome yet beautiful face completed, Jacques had spent these past few weeks engrossed in the complicated work of piecing together the torso. Canvas lungs, lined and seasoned so they could expand to hold air without bursting, breathed now in easy rhythm. Several sets of intricate cams whizzed up and down on their columns, the sound of clockwork so quiet you couldn’t hear it unless you pressed your ear to his chest. These were so small that each set could sit on either side of the heart, gathering the instructions that the stone sent out and passing them along channels of conductive serapin resin to the limbs themselves.

Though assembly on Alonzo had not yet progressed below the waist, he was more alive than not already, and could twist this way and that on his golden spine. Once completed he would be able to bend and waltz just as easily as any lordling, since his chest cavity did not need to be taken up by instruction scrolls. In truth he needed very little of Jacques’ prestigious talents, only the exact knowledge of when to leave off filling him with metal and to let his natural will do the work.

Jacques peered down the core of the ivory arm. The past few nights’ work–Alonzo’s left shoulder and upper arm–gleamed at the edge of the bench, their whiteness undiminished by the yellow glow of the lamps.

Each section of the limb; forearm, hand, fingers, and so on, would be made of ivory. There was gold filigree to affix at each joint, and the pearly joints themselves to fashion. The work on the hands alone a monumental undertaking. It was nothing to the man who frequently dealt with rusted iron contraptions and champing gears, but it was delicate work nonetheless.

Jacques worked in musical silence, narrowing his whole attention to the task in front of him. The fingers must have the same range of motion as his own. They must be able to grip and clasp, to touch and caress. Jacques spared no detail, looking up only when a pounding knock at the door shattered his concentration.

“At this hour?” He frowned. “Who on earth–” Rising, he crossed the shop as quickly as he could. The moment, the exact moment it seemed, Jacques placed his hand upon the doorknob the door itself sprang open with a crash.

In filed the nutcrackers, line after line of red velvet jackets, rusty bayonets, and broken button eyes. They filled the tiny storefront of the shop, spilling out into the workroom beyond like a scarlet tide.

Jacques clawed his way through them, pushing hard against their stiff torsos. “What is the meaning of this?” he shouted, trying to be heard over the sound of their tramping feet.

As one the nutcrackers stilled, freezing between almost one breath and the next. The ones deeper into the shop made no noise, while the ones in the storefront pressed aside. Jacques suddenly found himself in an open circle in front of the door.

He faced two enormous soldiers, larger and broader than the rest. These did not have button eyes but a long strip of black cloth wound around their heads. They wore tall, furred shako hats and tattered golden epaulettes on their shoulders. Despite their somewhat shabby appearance Jacques knew they were Captains of the guard, more alert and perhaps more vicious, than their enlisted counterparts.

As one the captains presented arms, going through the motions of moving their rifles with solemn rigidity. Then they stepped aside in time, revealing none other than the Baron Octavian d’Bardi.

The Baron swept into the room, coattails fluttering. He brought with him a chill breeze, and a few wayward snowflakes that twisted and fell instantly to the ground. “Jacques Augusti, I presume?” he said, biting off each word as though it were distasteful.

“M-My Lord, I–” Jacques fumbled, unsure what to say. He was too proud to say it was an honor to be interrupted so, and at this time of night. But neither was he suicidal enough to demand that the Baron leave.

“You’ve defied my summons for far too long, Sar Augusti. I have a job for you and I will not be ignored.” He snapped his fingers.

The Baron was a tall, thin man, the way a whip was thin. He did not smile; for the arch of a sneer never quite left his brow or the edge of his mouth. Though young in appearance–his queue of brilliant scarlet hair was undampened by grey or white–Jacques knew that the Baron had ruled the Sheer long before his arrival and would certainly do so long after his death. d’Bardi had lived longer than anyone else in the Sheer, longer even than the gypsies if rumor was to be believed, and that was a long time indeed. He spoke and acted in a way that brokered no argument.

By whatever power he possessed the nutcrackers obeyed, instantly fanning out inside the workshop, four to a bench. Quite before Jacques could open his mouth to stop them, they heaved together, lifting each table clear of the floor. Others scooped up armfuls of jars–paint, beads, marbles, powders; it didn’t matter.

“Stop!” Jacques bellowed. “Stop this at once!” He rounded on the Baron. “My Lord, I will not be treated so. Tell your men to put down my things, they are delicate and require special care.”

The Baron’s lacquered cane whished through the air and came down with a sharp crack on the display case next to Jacques’ hand. Several fractures appeared in the glass but it did not break. “If you did not desire to see my nutcrackers treat your shop in such a manner then you ought to have come when I first summoned you. You will come to the Reach now, or suffer the consequences.”

Jacques snatched his hand away. He drew himself up, boiling inside. “You cannot–” he began, but stopped. The Baron could do as he liked, and they both knew it.

“Letters I sent you,” the Baron growled, ticking them off on his long fingers, “and runners. Nutcrackers and requests and appointment cards; I have tried every courteous way to obtain your services, for my need is great. And yet still my delivery boys return empty handed, but no more.”

Pain spread through Jacques’ hand as he realized his nails were digging into his palm. He shoved aside a nutcracker that was trying to get by with its arms full of delicate jeweler’s tools, preventing it from taking another step. Full of fury the toymaker faced the Baron. “I already work for you!” Jacques snapped. “I repair your broken machines, your divers and weavers and rooftop dancers. When you need a firecat’s flame rekindled or a lampkiller’s touch refined, the city calls to me. When the calliopes in your precious opera house are run down and out of time the conductors come to me. I resew the broken buttons on your nutcrackers. I make sure the lifts run on time, and it is I alone who repair the clockwork courtiers you are so fond of keeping–”

A feral snarl edged out of the Baron’s bared lips. He seized Jacques by the collar. “Wrong!” he cried, and slammed the toymaker against the cabinet. “I repair my own creatures,” the Baron hissed through clenched teeth. “Is that clear?”

Jacques’ head whirled. In the confined space at the edge of the shopfront, pressed between the display cabinets and the stone wall, almost all the light in the room was blocked by the nutcrackers. Long, deep shadows like fingers danced overhead. The Baron’s hard fingers dug into his robe, bruising the flesh by his collarbone. Jacques gasped; one nutcracker at the far end of the shop was reaching for the curtain that hid Alonzo from view.

“You…are correct, my Lord,” Jacques said, even though it was not true.

“Indeed. Now–”

“I cannot go to the Reach with you.” Jacques forged ahead, despite the light that lit the Baron’s eyes, even though there was no light to be had from this corner of the room. “All my tools are here.”

The Baron shrugged dismissively. “Those are easily transported. Your presence at the Reach is necessary; you will begin immediately.”

“You there, hands off!” Jacques shouted, motioning in the general direction of the benches. All the nutcrackers paused, including the farthest one, turning their torsos slowly to look between the man who commanded them and the man who fixed them.

Even trapped as he was Jacques knew he had only bought himself time, time he could not squander on bluster. His pride tasted hard and bitter as he swallowed it, turning to the Baron and saying in a softer tone, “Please, my Lord, every tool I own, every scrap of material, has been as well loved and treated as the toys I create. You would not hand over a master’s instrument to these fellows; I implore you to leave my shop and my things as they are, and disturb nothing. Any work you desire of me can surely be done here, and delivered to the Reach later.”

“Impossible.” The Baron’s long queue of scarlet hair stood out like a scream against the pallor of his face. From this close Jacques could see that not a single button on his waistcoat matched, and that the tailcoat was worn about the hems. d’Bardi scanned the shop with shrewd eyes and an expression like iron, perhaps evaluating Jacques’ claim. This was the man who, it was said, could shut down an entire theater–or factory–with a single displeased word.

For a moment Jacques saw his future hang in the balance of that grim expression. He saw his work and his toys and his Alonzo all gone in favor of the endless city repairs the Baron would no doubt set him to. He saw, clearly in his mind’s eye, his own shopfront closed, empty and dark.

Thoughts racing, Jacques sought desperately to appeal to the Baron’s sense of sanity. “My Lord, you might as well ask a soprano to sing in the street, or have a pianist play with cracked keys. If you would not ask it of a musician, I beg you, do not ask it of me. I am a master artificer and I know my needs. Tell me only what you wish and I can provide it to you.”

The Baron considered this, a storm of emotion neatly concealed behind his hard, dark eyes. Only the pressing of his lips into a stern line gave voice to the war that raged within. d’Bardi was not a man of gentleness, after all, but violent extremes. “Very well,” he said suddenly, dropping Jacques and resuming the sarcastic drawl for which he was also known. “I suppose I can’t risk having any less than your best.

“I want a doll–a life-sized automaton, with the capacity to be life-like in every way.”

Jacques stared, only just remembering to close his mouth. What the Baron described exactly matched the idea behind Alonzo’s construction. “Could you…be more specific?” he managed, hoping his face revealed nothing.

“Since her body cannot be made of flesh and blood,” the Baron snapped, impatient, “then it must be made of something else! I need a woman’s body, in iron or steel or brass; I don’t care–”

Jacques grasped for a response. The Baron had plenty of clockwork creatures made by his own hand who walked the Reach. Granted, they were not very life-like. In fact, one could almost call the existence of the nutcrackers and the lampkillers as cruel torture; since it was nothing like living at all. “But what for, my Lord?”

“It does not matter what I need it for,” he retorted hotly, rapping his cane against the glass. “Only that this body must be built as quickly and perfectly as you can manage.”

In his haste to grab for quill and paper Jacques nearly tripped over several nutcrackers’ boots. He stumbled behind the counter. An automaton like Alonzo but created the normal way would not be easy–or inexpensive. So much work would have to go into designing the cams and gears that would pull the limbs and contract the face. Jacques turned, pen in hand, and nearly ran right into the Baron. To his horror he saw that the man had followed him right into the workshop.

He recovered, eager now to get down as many details and get the Baron out of his house as swiftly as possible. “A female automaton, of course. Very well. And how would you like her to be run?”

“I beg your pardon?” the Baron said, raising an eyebrow.

Jacques went on quickly, waving a hand that somehow took in more than just the clockwork creations in front of them. “Scrolls of instruction, miniature cams–should she have to be wound, like some of the servants in Sunsgate are?”

“Do you still not understand? She is to be as alive as possible, as good as you or I. Or as good as you can get without flesh, anyway.” The Baron’s narrow face pulled into a tight frown. “How a man of your education could be ignorant of the theories of Landsman and Harrogate, I ask you.” He sniffed in disapproval, but made no motion to call the nutcrackers to resume their ransacking.

As usual, or so Jacques heard from those who worked in the opera house, the Baron was halfway through a complex topic without bothering to bring everyone else up to speed. “I require more detail, my Lord,” he said, pretending to keep his eyes on the paper while actually watching Alonzo’s curtain.

Now, more than ever, he willed the boy to be quiet. Let him not barrage the Baron with questions or do anything to make his presence known. Whether it was fear or confusion that kept Alonzo silent Jacques did not know, nor did he care, as long as he remained hidden. It was truly luck that the nutcracker standing there had listened in the first place, for the Baron’s next words sent a shiver down Jacques’ spine.

“My automaton will need a stone heart,” said d’Bardi, without even a glance in Jacques’ direction. “A focus, like the ones mages used to use. A…core, if you will, through which life might be viable. Something that won’t be worn by time, something to keep her safe.”

Jacques shook his head. Not because he disagreed that the Baron might need a wife–which was the only reason he could think of for this request–but because he alone knew how truly rare stones like Alonzo’s were. There was always the chance of making the heart out of serapin amber, as it was naturally conductive to magic, but Jacques had the cold, sinking feeling that that would not suit the Baron’s needs at all.

“But what will power the heart?” he asked, trying to buy time and information in the same breath. “A focus stone alone won’t be enough to–”

“I will be the judge of what is or is not powerful enough for her body!” The Baron brought his fist down on the nearest bench, making the ivory arm and fingers jump. “I am asking you to create something well within your scope of talent to do so and–hello, what in the Muse’s name is this?”

d’Bardi reached across the worktable and lifted the ivory hand before Jacques could stop him. He turned it over and over, examining the twisting gold filigree around the joints, the smooth way the fingers moved as they contracted or expanded. “This,” he murmured, “this is exquisite work.”

“That, ah, that, “ Jacques stuttered, trying to edge between the Baron and the rest of the room. “That is part of an experiment in motion and form.”

The Baron held up the hand to the light, his mouth no longer pulled taut in displeasure. “This is what I want. This is how I want her body to be made. Sturdy, yet beautiful. Why, with a pair of kidskin gloves she could easily still pick up tools or dress herself without a maid’s assistance.” His voice trailed off, growing softer as his expression did, until he more resembled a picture of melancholy rather than a mercurial child.

Jacques coaxed specifications out of him, writing down everything from the exact shade of her ebony hair to the alto pitch of her voice. He knew he could not spin miracles but by the Goddess he would certainly try.

Finally the Baron gathered himself and, setting down the ivory, made for the door. “I trust you have enough to begin, Sar Augusti,” he said briskly.

“Ah, no, my Lord.” Jacques took the opportunity to shoo the nutcrackers away from his benches, marching the last one out with a firm hand on its back. “I will need her sizes, of course; waist, shoulders, arm length. I do not wish to create a woman too petite or too large for you.” Internally he shook himself. Clearly the Baron believed that Jacques would be making a person–whole and individual–from the ground up. It seemed callous and somehow intimate to discuss such things about a creature who would be, for all intents and purposes, a member of the fairer sex.

Jacques pulled away from such thoughts, from the disgust of what might eventually be done between the Baron and the wife he would have to create. For a moment he felt he might be sick; sick from the knowledge that if he had spoken a moment too late this would be Alonzo they were discussing.

“I can have one of my men deliver the sizes to you later,” the Baron said, appearing not to notice Jacques’ sudden grey face. “As well as a painting for reference. She must look exactly like it, none of this repeating mold-work as you have done with these other dolls.” He gestured to the ones in the display cases.

The toymaker swallowed. He, too stepped into the shopfront, swiping the dividing curtain closed behind him. “Of course, I am no ametur, my Lord. You shall have what you request.”

Neither of them had to say that there was no room for failure. The last man who had failed the Baron had hung himself off the edge of the Teeth, with no way to tell if it was the nutcracker’s doing or his own. No matter how famous, no matter how wealthy or well-loved, someone might be, it was never enough to escape the Baron.

But if he did not displease d’Bardi; that was a thought. If he succeeded, where only a few opera directors and singers and violinmakers had done so, it would earn him even more renown. That was not something Jacques wanted, precisely, but presumably if the Baron was satisfied then he would leave Jacques in peace. And that was something the toymaker wanted very dearly.

“Good.” The Baron rolled the cane between his fingers. “There is also the matter of compensation. What is your price for such a request?”

Jacques balked. “Surely you would tell me your budget, my Lord. Though she will be rather expensive…”

“Done. What? You seem surprised, Sar Augusti. I do not expect a master craftsman to work for free. And spare nothing in the quality of materials. Whether you get the ivory from Rimsea or the Empire or Ombolan matters little to me; choose only the finest.”

Settling in to the more comfortable rhythm of negotiating, Jacques replied, “Then I will need an advance of no less than three thousand musean gold pieces for materials and to cover shipping costs. You can pay me for my time when the labor is complete.”

“As you wish it.” The Baron motioned to one of the nutcracker Captains. “Bring him a purse with that amount tomorrow. I’ll want you to get started right away.”

“–Once the materials arrive,” Jacques put in, relieved when the Baron accepted this without question. “And now, my Lord, it is late. I’m certain you have an opera to attend and I must make preparations to order my supplies tomorrow, when the shops are open.”

The Baron swept to the door. He stopped and looked back once more, as if he could still see the ivory hand laying alone on the workbench. “I expect,” he said with sudden coldness, “it would be too much to hope for that there is more where that hand came from? It would be so much easier, after all, if my sister’s body did not have to be made entirely from scratch.”

Just then Jacques sensed the bright blue tendril of Alonzo’s thoughts, reaching out beyond the curtain. The alien mind of the stone was made human by its fear and compassion, and its anxious question of whether Jacques had been harmed. Looking at the Baron Jacques knew that d’Bardi must sense it, even if he did not know where it came from.

“As I said, my Lord, it was merely an experiment in independent locomotion. I often get commissioned to work on orchestra calliopes.” Now Jacques was thinking fast. He stood right behind the Baron, hoping to block his way back into the workshop. “They have such delicate fingers, and it is so hard to get them to press upon the strings of a cello or the holes on a flute with just the right amount of pressure and–”

“Yes, yes. I know that.” The Baron waved his explanation away. “My men will return in the morning with everything I have promised–and you will deliver to my expectations as you have promised.”

Jacques bowed low even though he had dealt with prima donnas less demanding. He eyed the nutcrackers as they filed out. “You have my word as a master, my Lord.”

“Goodnight, Sar Augusti.” The Baron left, closing the door behind him so firmly that the windows on either side shuddered. Nutcrackers formed up in little regiments on the Baron’s heels and followed him down along the passage.

For several long minutes the only sound Jacques could hear was the unusually loud pounding of his own heartbeat. Gradually other noises came back to him; the hissing of the gramophone, the pop and crackle of the fireplace, and the gentle ticking of the clock on the wall.

The toymaker grabbed a chair usually reserved for guests and sank into it, his legs suddenly unsteady. So it was a sister the Baron wanted then, not a wife. That fact should have relieved him but how could it? A sister meant love. A sister meant family.

And that, Jacques knew, was impossible.